top of page

About the Author 

 

Margo Bond Collins is the author of urban fantasy, contemporary romance, and paranormal mysteries. She has published a number of novels, including Sanguinary, Taming the Country Star, Legally Undead, Waking Up Dead, and Fairy, Texas. She lives in Texas with her husband, their daughter, and several spoiled pets. Although writing fiction is her first love, she also teaches college-level English courses online. She enjoys reading romance and paranormal fiction of any genre and spends most of her free time daydreaming about heroes, monsters, cowboys, and villains, and the strong women who love them—and sometimes fight them.

In Filipino legend, the Aswang is a shape-shifting vampiric creature who preys upon people, particularly children and pregnant women, at night. During the day, however, the aswang appears perfectly human, leading otherwise fairly normal lives.

Margo's sampler contribution

Q & A with Margo Bond Collins

 

When did you start writing? What has your writing life been like?

For as long as I can remember, I’ve been making up stories. The first story I remember actually writing down was basically fan-fiction of . I wrote it in long-hand in a yellow legal pad. I’ve been writing ever since. But about ten years ago, a friend suggested I join in National Novel Writing Month (nanowrimo.org). Until then, I had always written short stories. That year, I finished the first draft of what would eventually become —it will be my third published novel, but it’s the first one I wrote.

 

I ended up as an English major in college because I was fascinated by the ways stories work. And then I went on to graduate school because I couldn’t figure out what else to do. I ended up with a Ph.D. in literature almost by accident; I just never quit wanting to learn about all the stories in the world!

 

So now I teach literature and writing in my day job, and the rest of the time, I write, both as a fiction author and as an academic.

 

Do you have any writing quirks? (Favorite shirt, pen, time of day?)

I have an office that I use for all my work: academic writing, fiction writing, editing, and online teaching. My desk is against a window so I can see outside. I’m surrounded by books and papers. I write directly on my laptop, but when I get stuck, I sometimes switch to handwriting; this seems to shift my brain onto a different track and helps me get over writer’s block. I write something every day, whether it’s academic writing, fiction, or my blog.

 

But the single biggest thing that I do to write? It’s narrating. I have an internal monologue—and sometimes dialogue—going on all the time. I think in words; when I have a mental picture, I practice translating it into words in my mind. I tell myself stories and I work out plot lines and I figure out arguments to make about literature. I think about the words to use to explain writing to my classes and I practice describing my surroundings. I think in my characters’ voices and in my own voice. When I get blocked, I go for a walk and let my characters take over for a while until I have another scene.

 

Where do you get your ideas for your stories?

Usually something catches my attention—a setting, a person, a word, the name of a town. Then I start spinning out stories for myself. Once I have any one part of the story, the rest just sort of shows up. I love losing myself in other worlds!

 

Do you ever suffer from writer's block? What do you do to overcome it?

I get stuck, like everyone. I hit writer’s block sometimes. But when that happens, I usually switch over to another project or go for a walk. Sometimes I’ll go back and try to work on editing what’s already done. But I loathe editing and revising. I know it must be done, but I hate it with a fiery passion. So that usually prompts me to go back to writing!

 

Any advice for aspiring writers?

The very best advice I ever got was just this: keep writing new things. Always have a work in progress. Finish writing a piece, do a quick edit, and submit it somewhere for publication. Then move on to the next project. Don’t wait to hear back—that way lies madness! If it’s rejected (and often it will be; that’s the nature of writing for publication), don’t let it get you down. Just send it out again and go back to your work in progress.

bottom of page